Julia Gleich
Published Writings
Photo © Travis Magee
Features viewpoints from scholars, choreographers, dancers, and dance critics. Highlights contributions from choreographers around the globe. Includes a significant range of cultural and historical contexts in the late 20th and early 21st centuries
Seven Radical Acts explores the pitfalls and strengths surrounding the notion of a female ballet canon.
Artist Estate Studio Cofounder, Julia Gleich was interviewed by Garnet Henderson about how important facial expressions are and how often they’re forgotten about in dance.
These days, everyone tells you how important it is to be versatile. But what if you're convinced there's just one style that's right for you? It can be tough to balance a deep interest in a single specialty and still meet many choreographers' expectations.
Gleich writes about her experience meeting and observing Annabelle Lopez-Ochoa while she created “Broken Wings” for English National Ballet’s “She Said” all-female triple bill. Gleich’s Choreographer Observership was awarded by OneDanceUK.
I trained in NYC in the heyday of ballet, in the 1970s, when New York was a dance world capital. A student of Melissa Hayden, I studied with David Howard, Robert Denvers, Willie Berman, and many others.
With a final series of performances beginning tonight and continuing through New Year’s Eve at the Park Avenue Armory, the Merce Cunningham Dance Company will close, ending nearly sixty years in operation.
Generating, analyzing, and organizing movement using the mathematical concepts of vectors.