Jason Andrew Interviewed: Many Ask Artists To Supply Creative Work For Exposure. So Did The Asheville Art Museum
The Asheville Art Museum reopened this past November with "Appalachia Now!" as its marquee exhibition.
Originally published by Blue Ridge Public Radio
Ask any of the 50 artists invited into Asheville Art Museum’s “Appalachia Now!” exhibition and, to a person, they’ll tell you they were honored and elated. Many were motivated to stretch themselves artistically to create what they regard as their most ambitious works.
For good reason. “Appalachia Now!” is the flagship exhibition that reopened the Asheville Art Museum last November and few of the artists had ever experienced exposure on this level. The exhibition closes Feb. 3.
The Asheville Art Museum reopened this past November with "Appalachia Now!" as its marquee exhibition.
But here’s another truth: Even the museum director acknowledges the artists were largely paid with exposure. The museum raised $24 million for its renovation and only distributed stipends of $100 each to the “Appalachia Now!” artists, regardless of whether they simply loaned pieces out of their studios or created major new works at the request of the exhibition’s curator.
The stipend was a thank-you for participating with us on this project. It wasn’t a compensation,” said Pam Myers, who is in her 24th year as the museum’s director. “The intention from the beginning was to open with an exhibition of contemporary artists from the region to support the artists and bring national attention to their work, and I think that’s what we’ve done.”
Artists looking to establish themselves often get requests to perform or otherwise lend their creative skills to conferences, private parties, businesses and assorted projects for the promised payment of exposure. But what does it say about the value of an artist’s work when a city’s leading arts institution does the same?
