Exhibition Catalogues
Published on the occasion of “Biala: L’esprit français,” the first solo show in France to celebrate the work of Janice Biala, on view October 23 – December 20, 2025 at Pavec Galerie in Paris. Featuring a reprint of a 1952 essay from French critic Guy Weelen. 7.75 × 7.5 in, 60 pages, full color.
This is a PDF download! A physical copy can be purchased here.
This catalogue is published to coincide with the exhibition This Side of Blue: The Art of Mimi Chen Ting at the University Art Gallery at Sonoma State University, on view September 7 - December 10, 2023. Curated by Holly Shen, the exhibition is a comprehensive survey of Mimi Chen Ting's five-decade career, marking the first posthumous exhibition after her passing in 2022 and offers an in-depth assessment of Ting's extraordinary life and work. A fully illustrated catalogue with essay by Holly Shen accompanies this exhibition published in collaboration with the Estate of Mimi Chen Ting and Artist Estate Studio, LLC and supported in part by Louis Stern Fine Arts, Los Angeles.
90-pages including cover booklet.
ISBN: 979-8-89145-417-0
A volume that richly reflects every aspect of Hadzi's career, from intimate studio photographs to large architectural commissions. Hadzi's works in bronze and stone are powerfully abstract and expressionist, yet involved with the past as a literary and aesthetic source.
This is a PDF download! A physical version of this catalog is available here.
Published on the occasion of Joan Witek’s solo exhibition Paintings from the 1980s, organized in collaboration with Artist Estate Studio LLC, at MINUS SPACE, 2020.
Introduction by Matthew Deleget; Essay by Jason Andrew
Design by Peter Freeby for Artist Estate Studio
Printed by danny luk at arcoiris nyc, inc.
Published by Artist Estate Studio for MINUS SPACE, Brooklyn, NY, 2020
68 pages, softcover, color
11 x 8.5 inches / 28 x 21.6 cm
ISBN: 978-0-578-76802-1
ABOUT THE ARTIST
Joan Witek (b. 1943, New York, NY) has used the color black for much of her life as an artist. While appearing to be straightforward, there is a persistent language of proportion and meaning in her abstraction. Black is usually considered the absence of color. It is severe, rigorous, and associated with emptiness and repression. But as Lilly Wei has written, “Witek plays these oppositions in her work: black being ascetic and alluring, meditative and expressive, flawless and flawed, fierce and demure, a distinct unequivocal presence, yet subtle, elusive.”
Joan Witek lives and works in New York City. Her select solo exhibitions include Jason McCoy Gallery, Outlet Fine Art, Atea Ring Gallery, Bartha Contemporary, Kouros Gallery, CDS Gallery, Wynn Kramarsky, John Davis Gallery, and Rosa Esman Gallery.
Recent group exhibitions include Positive, Negative at Massey Klein Gallery (New York, NY); Crossroads: Carnegie Museum of Art’s Collection, 1945 to Now at the Carnegie Museum of Art (Pittsburgh, PA); Painting Black at Stiftung Konzeptuelle Kunst (Soest, Germany); Black & White: Modern and Contemporary Positions at Jason McCoy Gallery (New York, NY); Kunstmuseum Wilhelm-Morgner-Haus (Soest, Germany); Drawn / Taped / Burned: Abstraction on Paper at the Katonah Museum of Art (Katonah, NY); Black and White at Galleri Weinberger (Copenhagen, Denmark); Sammlung Schroth, Kloster (Wedinghausen, Germany); and Bartha Contemporary (London, UK).
Her work can be found in many prominent public collections, including the Albright-Knox Art Gallery, Arkansas Arts Center, Fogg Art Museum at Harvard University, Metropolitan Museum of Art, Museum of Modern Art, and the Yale University Art Gallery, among others.
Released on the occasion of the exhibition Janice Biala: Paintings (1946-1986) from March 14-April 13 at Berry Campbell Gallery in NYC. 96 pages, color.
This catalogue is published to coincide with the exhibition This Side of Blue: The Art of Mimi Chen Ting at the University Art Gallery at Sonoma State University, on view September 7 - December 10, 2023. Curated by Holly Shen, the exhibition is a comprehensive survey of Mimi Chen Ting's five-decade career, marking the first posthumous exhibition after her passing in 2022 and offers an in-depth assessment of Ting's extraordinary life and work. A fully illustrated catalogue with essay by Holly Shen accompanies this exhibition published in collaboration with the Estate of Mimi Chen Ting and Artist Estate Studio, LLC and supported in part by Louis Stern Fine Arts, Los Angeles.
8.5 x 11 in, 90-pages include cover booklet; stock: 80-lbs C2S text (inside pages); 12-pts C2S cover (cover pages); finish: perfect binding.
ISBN: 979-8-89145-417-0
This fully illustrated brochure was published to coincide with the exhibition “Jack Tworkov: Drawings 1948-1981” at the Vero Beach Museum of Art, May 26-September 3, 2023. Curated by Jason Andrew, the exhibition is acomprehensive survey of five-decades of drawing, marking the first strictly museum exhibition of works on paper by the artist in nearly 40-years. Includes introduction by Anke Van Wagenberg, Ph. D., with statements by the artist throughout.
8.5 x 5.5 in., 8 pages; stock: 80-lbs C2S text (inside pages); 12-pts C2S cover(cover pages); finish: staple binding
Hermine Ford: Painting 1973-2022. Published on the occasion of:
”Hermine Ford: Normally Invisible” May 7-June 12, 2022
FURNACE — ART ON PAPER ARCHIVE 107 Main St, Falls Village, CT 06031 www.furnace-artonpaperarchive.com
All images © Hermine Ford www.hermineford.com
Essay © Stephanie Buhmann www.stephaniebuhmann.com
Designed by Peter Freeby at Artist Estate Studio, LLC
Artwork in this publication is protected by copyright and may not be reproduced in any form without written request. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopy, recording or any other information storage and retrieval system, without prior permission in writing from the Studio of Hermine Ford or Artist Estate Studio, LLC.
Published by Artist Estate Studio, LLC
Printed by danny luk at arcoiris nyc, inc
200 Copies Printed
Published on the occasion of Biala: Intimacy & Exile: paintings 1952-1962. Organized in collaboration with the Estate of Janice Biala at McCormick Gallery, Chicago, IL, November 7, 2020-January 9, 2021
Essay by Jason Andrew
Design by Thomas McCormick with Arno Pro typeface
Published by McCormick Gallery, LLC, and TMG Projects
Printed by Permanent Printing, Ltd.
32 pages, softcover, color, 11 x 8.5 inches / 28 x 21.6 cm
Published on the occasion of the following exhibitions:
Tworkov: Towards Nirvana / Works from the 70s
January 14-March 20, 2021
VAN DOREN WAXTER
23 East 73rd Street, New York NY 10021
www.vandorenwaxter.com
Tworkov: Drawings from the 70s
February 6-May 1, 2021
MINUS SPACE
16 Main Street, Brooklyn NY 11201
www.minusspace.com
All images © 2021 Estate of Jack Tworkov / Artists Rights Society (ARS), New York
Essay © Jason Andrew
Design by Peter Freeby at Artist Estate Studio, LLC
Photography of artwork: Lance Brewer; David Dietrich
printed by danny luk at arcoiris nyc, inc
200 Copies Printed (100 Copies Second Printing)
ISBN: 978-1-7325933-3-6
Published on the occasion of Joan Witek’s solo exhibition Paintings from the 1980s, organized in collaboration with Artist Estate Studio LLC, at MINUS SPACE, 2020.
Introduction by Matthew Deleget; Essay by Jason Andrew
Design by Peter Freeby for Artist Estate Studio
Printed by danny luk at arcoiris nyc, inc.
Published by Artist Estate Studio for MINUS SPACE, Brooklyn, NY, 2020
68 pages, softcover, color
11 x 8.5 inches / 28 x 21.6 cm
ISBN: 978-0-578-76802-1
ABOUT THE ARTIST
Joan Witek (b. 1943, New York, NY) has used the color black for much of her life as an artist. While appearing to be straightforward, there is a persistent language of proportion and meaning in her abstraction. Black is usually considered the absence of color. It is severe, rigorous, and associated with emptiness and repression. But as Lilly Wei has written, “Witek plays these oppositions in her work: black being ascetic and alluring, meditative and expressive, flawless and flawed, fierce and demure, a distinct unequivocal presence, yet subtle, elusive.”
Joan Witek lives and works in New York City. Her select solo exhibitions include Jason McCoy Gallery, Outlet Fine Art, Atea Ring Gallery, Bartha Contemporary, Kouros Gallery, CDS Gallery, Wynn Kramarsky, John Davis Gallery, and Rosa Esman Gallery.
Recent group exhibitions include Positive, Negative at Massey Klein Gallery (New York, NY); Crossroads: Carnegie Museum of Art’s Collection, 1945 to Now at the Carnegie Museum of Art (Pittsburgh, PA); Painting Black at Stiftung Konzeptuelle Kunst (Soest, Germany); Black & White: Modern and Contemporary Positions at Jason McCoy Gallery (New York, NY); Kunstmuseum Wilhelm-Morgner-Haus (Soest, Germany); Drawn / Taped / Burned: Abstraction on Paper at the Katonah Museum of Art (Katonah, NY); Black and White at Galleri Weinberger (Copenhagen, Denmark); Sammlung Schroth, Kloster (Wedinghausen, Germany); and Bartha Contemporary (London, UK).
Her work can be found in many prominent public collections, including the Albright-Knox Art Gallery, Arkansas Arts Center, Fogg Art Museum at Harvard University, Metropolitan Museum of Art, Museum of Modern Art, and the Yale University Art Gallery, among others.
Compiled and edited by Jason Andrew / 215 pages
Originally published on the occasion of the historic exhibition Jack Tworkov: Accident of Choice, The Artist at Black Mountain College 1952 at Black Mountain College Museum + Arts Center, Asheville (June 17-September 17, 2011) this fully illustrated publication dives deep into the history of the experimental college from the perspective of Jack Tworkov. Includes preface by Alice Sebrell; curator’s notes and essay by Jason Andrew; photography by Robert Rauschenberg; letters to Tworkov from Franz Kline, Robert Rauschenberg, and Stefan Wolpe; notes on John Cage; reprint of Tworkov Paints a Picture by Fairfield Porter, originally published in Artnews; previously unpublished conversations between Tworkov and historian Irving Sandler; artist chronology and list of public collections.
Digitally remastered from the original by Peter Freeby for Artist Estate Studio, LLC, and the Estate of Jack Tworkov.
This fully illustrated brochure was published to coincide with the exhibition “Jack Tworkov: Against Extremes” at the UBS Art Gallery, August 13-October 27, 2009. Curated by Jason Andrew and organized in collaboration with Norte Maar and the Estate of Jack Tworkov, the exhibition is the first comprehensive retrospective of the artist’s work in New York. Includes essay by David Anfam, with introduction by Jason Andrew.
9.5 x 8.375 in., 8 pages; stock: 80-lbs C2S text (inside pages); 12-pts C2Scover (cover pages); finish: staple binding
Published in conjunction with the exhibition:
“Dimitri Hadzi: Bronze Sculpture,” Danese, New York, NY, May 2 - June 14, 2008
64 pages, 26 color images, soft cover
ISBN: 978-0-9795501-4-9
This fully illustrated catalogue was published to coincide with the exhibition “Jack Tworkov: Red, White, and Blue” at Mitchell-Innes & Nash and Ameringer/Howard/Yohe, March 6-April 13, 2002. The exhibition is a comprehensive survey of the artist’s oeuvre specific to works related to his red, white, and blue series of the early to mid-1960s. Essay by Harry Cooper and historic photographs of the artist.
8.5 x 8.5 in., 64-pages include cover booklet; stock: 80-lbs C2S text (insidepages); 12-pts C2S cover (cover pages); finish: perfect binding
ISBN: 0-9713844-4-4
Published on the occasion of Jack Tworkov’s solo exhibition:
“Jack Tworkov: Paintings and Drawings,” Mitchell-Innes & Nash Gallery, 1018 Madison Avenue, New York, NY, January 12 – February 26, 2000
Published on the occasion of Joan Witek’s solo exhibition “Joan Witek: New Paintings” at Sean Scully, New York, NY, February 1 - February 24, 2000
24 pages, softcover, b/w, 8 x 10 in / 20.3 x 25.4 cm
Published on the occasion of Siri Berg’s solo exhibition “Siri Berg: paintings, collages, assemblages,” at Walter Wickiser Gallery, New York, NY, October 30-November 18, 1999
Essay by Dominique Nahas
2 pages, softcover, color, 8.5 x 10 in / 21.6 x 25.4 cm
Published on the occasion of Siri Berg’s solo exhibition “Siri Berg: Straight Line, Recent Paintings & Collages” at Walter Wickiser Gallery, New York, NY, March 29-April 17, 1997
Essay by Gerard Haggerty
6 pages, softcover, color, 8.5 x 10 in / 21.6 x 25.4 cm
Publication supported with a grant from the KREAB Group Companies
Published on the occasion of Siri Berg’s solo exhibition “Painting and Collages” at Walter Wickiser Gallery, New York, NY, January 28-February 16, 1995
Essay by William Zimmer
6 pages, softcover, color, 8.5 x 10 in / 21.6 x 25.4 cm
Publication supported with a grant from the KREAB Group Companies
Publiched on the ocassion of the exhibition:
“George McNeil: Three Decades of Prints” Montclair Art Museum, Montclair, NJ, April 14 - June 23, 1990.
Essay by Alejandro Anreus. Also features an interview of the artist.
24 pages with 14 images in b/w, soft cover, staple binding. (8.5 x 11 in)
Published on the occasion of the exhibition:
”George McNeil: Expressionism 1954-1984,” Artists’ Choice Museum, New York, NY, September 22 - November 10, 1984
Foreword by Richard Hall. Essays by Vieri Salvadori and by George McNeil
32 pages, 14 color image plates, soft cover. (8.5 x 11 in)
This is a PDF download! A physical copy can be purchased here.
Published on the occasion of “Biala: L’esprit français,” the first solo show in France to celebrate the work of Janice Biala, on view October 23 – December 20, 2025 at Pavec Galerie in Paris. Featuring a reprint of a 1952 essay from French critic Guy Weelen. 7.75 × 7.5 in, 60 pages, full color.